Night Flight

by Yvonne Elliman

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    Tracklist

    A Moment By Moment
    Written-By – Lee Holdridge, Molly-Ann Leikin* 3:19

    B Sailing Ships
    Written-By – Stephen Bishop 4:46

    Credits
    Engineer, Producer – Robert Appére*

    Barcode and Other Identifiers
    Rights Society: ASCAP
    Rights Society: BMI

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  • Record/Vinyl + Digital Album

    Tracklist

    A If I Can't Have You
    Written By – B. - R. - M. Gibb 2:57

    B Good Sign
    Written By – C.B. Sager-M. Manchester-D. Wolfert 3:57

    Companies, etc.
    Manufactured By – Polydor
    Marketed By – Polydor
    Pressed By – Columbia Records Pressing Plant, Pitman
    Mastered At – Artisan Sound Recorders

    Credits
    Producer – Freddie Perren

    Barcode and Other Identifiers
    Other (Intl. #): 2090 266
    Matrix / Runout (A Side Runout): RS 84 77 NP 3213-S-CP1 [Artisan Sound Recorders symbol]
    Matrix / Runout (B Side Runout): RS 84 76 NP 2346-S-CP1

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  • Record/Vinyl + Digital Album

    Tracklist
    Hide Credits
    A1
    Baby Don't Let It Mess Your Mind
    Composed By – Neil Sedaka, Phillip Cody*
    4:21
    A2
    In A Stranger's Arms
    Composed By – Danny Kortchmar
    3:45
    A3
    I'll Be Around
    Composed By – Jack Conrad, Mentor Williams
    3:27
    A4
    Lady Of The Silver Spoon
    Composed By – Brian Cadd
    4:16
    A5
    Down The Backstairs Of My Life
    Composed By – Eric Mercury, William D. Smith*
    3:17
    B1
    If I Can't Have You
    Composed By – B., R. & M. Gibb*
    2:57
    B2
    Prince Of Fools
    Composed By – Joy Parker, Nicky Barclay*
    3:31
    B3
    Sally Go 'Round The Roses
    Composed By – Lona Stevens, Zelma Sanders
    4:20
    B4
    Up To The Man In You
    Composed By – Yvonne Elliman
    3:15
    B5
    Sailing Ships
    Composed By – Stephen Bishop
    4:46
    Companies, etc.
    Manufactured By – RSO Records, Inc.
    Marketed By – RSO Records, Inc.
    Distributed By – Phonodisc, Inc.
    Phonographic Copyright (p) – RSO Records, Inc.
    Recorded At – Sunset Sound
    Recorded At – The Burbank Studios
    Mastered At – A&M Mastering Studios
    Credits
    Arranged By [Strings] – Jimmy Haskell*, Robert Appére*
    Art Direction – Susan Herr
    Backing Vocals – Carmen Twillie, Cecilio Rodgriquez*, Donny Gerrard, Henry Kapono, Julia Tillman Waters, Kathy Collier, Kiki Dee, Marti McCall, Maxine Willard Waters, Vennette "Netty" Gloud*
    Bass – Dee Murray, Lee Sklar*, Paul Stallworth, Scott Edwards (2)
    Concertmaster – Sid Sharp*
    Coordinator [Production Co-ordinator] – Jim Moon, Porsche Lottermoser
    Design, Typography [Logo] – Tom Nikosey
    Drums – James Gadson, James Keltner*, Michael Baird*, Ritchie Hayward*, Russell Kunkel*
    Executive-Producer – Shep Gordon
    Guitar – Ben Benay, Bob Bowles*, Danny Kortchmar, Davey Johnstone, Dean Parks, Lowell George, Richie Zito, Steve Cropper, Steve Hunter
    Horns – Chuck Findley, Jackie Kelso, Jim Horn
    Keyboards – Craig Doerge, Eric Carmen, James Newton Howard, Sonny Burke (2), William Smith (2)
    Lead Vocals – Yvonne Elliman
    Mastered By – Bernie Grundman
    Percussion – Bob Zimitti*, Gary Coleman, Baboo*, Paulino Da Costa*
    Percussion, Synthesizer – Freddie Perren
    Photography By – Norman Seeff
    Producer – Freddie Perren (tracks: B1)
    Producer, Engineer – Robert Appére*
    Notes
    Recorded at Sunset Sound. Strings Recorded at the Burbank Studio. Mastered at A & M.

    Executively produced for Alive Enterprises, Inc.
    B1 produced for Grand Slam Productions by arrangement with The Robert Stigwood Organisation. ℗ 1977 RSO Records, Inc.

    Publishing:
    A1 - Wellbeck Music, ASCAP/Kec Music, ASCAP/Don Kirschner Music, Inc., BMI/ATV Music Corp., BMI
    A2 - Kortchmar Music, ASCAP
    A3 - Third Son Music, ASCAP & Darnac Music, BMI
    A4 - Brian Cadd Music, BMI
    A5 - Daddy Black Music & Patra-Amani Music, ASCAP
    B1 - Stigwood Music, Inc. (Unichappell Music) BMI
    B2 - Robert Appére Music BMI/Basic Brown Songs BMI
    B3 - Winlyn Music, Inc. BMI
    B4 - Red Cow Music, Inc. (Unichappell Music) ASCAP
    B5- E.H. Morris & Co., Inc. ASCAP

    Manufactured & Marketed By RSO Records, Inc. 8335 Sunset Blvd., Los Angeles, CA. 90069. Distributed by Phonodisc.

    ℗ 1978 RSO Records, Inc.

    Also available on 8-Track, 8T-1-3031 and Cassette, CT-1-3031
    Barcode and Other Identifiers
    Matrix / Runout (Side A - Label): (RS-1-3031 A) 2394 197
    Matrix / Runout (Side B - Label): (RS-1-3031 B) 2394 197
    Matrix / Runout (Side A - Runout): R̶S̶-̶1̶-̶3̶3̶1̶-̶A̶S̶ ̶C̶P̶1̶ RS-1-3031-AS-CP1
    Matrix / Runout (Side B - Runout): RS-1-3031-BS CP2

    Includes unlimited streaming of Night Flight via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ... more
    ships out within 30 days

      $1 USD or more 

     

  • Full Digital Discography

    Get all 9 Yvonne Elliman releases available on Bandcamp and save 35%.

    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Your Precious Love [SINGLE], Yvonne, Night Flight, Love Me, Rising Sun, Food of Love, I Don't Know How To Love Him, What A Line To Go Out On [SINGLE], and 1 more. , and , .

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1.
Once upon a lonely time But not so lone ago You use to be a superstar You used to still the show But now you get be satisfied That singing on the street I watch the world go passing by And once was on your feet Baby, don't let it mess your mind, no Sadness, anger feeling not becomes you Baby, don't let it mess your mind, no Remember life will always love you In another circus all the time We seem to waste To make up plans and find them all The plans of being race We have a little money And we made a little time And soon we broke forgetful Of what we left behind Baby, don't let it mess your mind, no Sadness, anger feeling not becomes you Baby, don't let it mess your mind, no Remember life will always love you Baby, don't let it mess your mind, no Sadness, anger feeling not becomes you Baby, don't let it mess your mind, no Remember life will always love you
2.
It's an uphill climb to get on top Not to stop and never fall It takes so much time time just to be secure You're never sure if it's worth it all But tonight whether it's wrong or right I can't tell 'Cause I don't know you all that well You can't trust everybody you meet Out here on the street You might want to test your charms in a stranger's arms It's a lonely town With fancy cars, private bars, and desperate souls It's so upside down And the dream you're in can surely spin out of control But tonight whether it's wrong or right I can't tell 'Cause I don't know you all that well You can't trust everybody you meet Out here on the street You might want to test your charms It's sometimes hard to find Just what's on some stranger's mind You might want to test your charms in a stranger's arms In a stranger's arms
3.
Hey, the loneliness is growing And you're so afraid of knowing Just what you've become It keeps you on the run And you're wondering how to hide the emptiness inside Thinking all of your dreams have died It's bound to leave you crying, crying Hey, little fool Don't you let it get you down When you need someone to lean on I'll be around Break all the rules Spread your wings and you can fly But when flying brings you down I'll be around Oh, you want to be much higher Higher than you've been before But you're sinking to the bottom Staring at the floor And you're wondering how to hide the emptiness inside Thinking all of your dreams have died It's bound to leave you crying, crying Hey, little fool Don't you let it get you down When you need someone to lean on I'll be around Break all the rules Spread your wings and you can fly But when flying brings you down I'll be around And you're wondering how to hide the emptiness inside Thinking all of your dreams have died It's bound to leave you crying, crying Hey, little fool Don't you let it get you down When you need someone to lean on I'll be around Break all the rules Spread your wings and you can fly But when flying brings you down I'll be around
4.
Way down in Trinidad, there's a taste I've had That's bigger than Coca-cola Take a jug of rum and some noon day sun And a little of this will knock you over And the girls will be fine and you're on over time The nightingale sings forever And if you shout a new dance you'll be finding romance If you listen you'll be talking real clever And it's so good you have to chew to taste it It's a tricky little number so don't you waste it Then in the evening when it's full moon You can dance with the crazy lady of the silver spoon Keep on dancing From San Francisco bay you can find your way You can hear it by the sound of the laughter But you can search too hard along the promenade 'Cause the people there will know what you're after Now it's the rage I know, where it come and go If they find another way to amuse us I wonder if this will just be another thrill Or maybe just a find to confuse us And it's so good you have to chew to taste it It's a tricky little number so don't you waste it Then in the evening when it's full moon You can dance with the crazy lady of the silver spoon Keep on dancing
5.
As you leave Please tiptoe down the backstairs of my life Everything is all you ever meant And said to me Could you live with all the hurt The pain and tears again Yesterday should be a song For the years refrain Vacant vessel Me, I've given all I've been outpoured Oh, I've been poured out As you leave Please tiptoe down the backstairs of my life When you leave You're taking all of my dreams outside my door Twisted heart is crying more Oh, more, encore In the darkness Now all I can see is where I've been As you leave Please tiptoe down the backstairs of my life
6.
Don't know why I'm surviving every lonely day When there's got to be no chance for me My life would end and it doesn't matter how I cry My tears of love are a waste of time if I turn away Am I strong enough to see it through? Go crazy is what I will do If I can't have you, I don't want nobody, baby If I can't have you If I can't have you, I don't want nobody, baby If I can't have you Can't let go, and it doesn't matter how I try I gave it all so easily, to you my love To dreams that never will come true Am I strong enough to see it through? Go crazy is what I will do If I can't have you, I don't want nobody, baby If I can't have you If I can't have you, I don't want nobody, baby If I can't have you
7.
It doesn't seem so long ago You were here and I was whole I'm weaker since you went away I could've made you stronger if you stayed You told me that you'd been around And I was the best thing that you'd ever found Well, how can something be so right And turn to nothing overnight If you could, you were thinking it good Broke in two And hoping to hide Thinking you had time on your side Prince of fools You'd better make up your mind Empty promises, unspoken lines Well, they kept me hanging for a time But now your time is running out on you And if you really want to make it true somehow Well, it's got to be now Oh, why, why can't you see What you're doing to people like me And would you change it if you could You know I don't think you would But it's true that I did it for you Broke in two And hoping to hide Thinking you had time on your side Prince of fools You'd better make up your mind
8.
Though our love is like a winding road of uncertainty I long to trust your smile And all the ways you feel touching me Moment by moment Our lifetime goes on Till one day Our somedays are gone Look at us Two drifters with a dream Scared to see it through But we're so happy now It might be beautiful if we do For moment by moment The choices we make Depend on the chances we take For moment Moment by moment Our lifetime goes on Till one day our somedays are gone For moment, moment by moment The choices we make Depend on the chances we take Moment, moment by moment
9.
Sally go round the roses (sally go round the roses) Sally go round the roses (sally go round the pretty roses) Roses they can't hurt you (roses they can't hurt you) Roses they can't hurt you (roses they can't hurt you) Sally don't you go, don't you go downtown Sally don't you go, don't you go downtown Saddest thing in the whole wide world Is see your baby with another girl Oh, Sally don't you go Don't you go downtown Don't you go downtown Because the saddest thing in the whole wide world Is see your baby with another girl Sally go round the roses (Sally go round the roses) Sally go round the roses (Sally go round the pretty roses) They won't tell your secrets (they won't tell your secrets) They won't tell your secrets, no, no, no, they won't tell your secrets Sally baby cry, let your hair hang down Sally baby cry, let your hair hang down Because the saddest thing in the whole wide world See your baby with another girl Sally go 'round, Sally go 'round Sally go 'round the roses 'Cause they won't tell your secrets Sally baby cry
10.
You're holding something And I don't know what it is You're sweet and sour And I hate to tell you this You keep me loving you What am I supposed to do? Allow the secret you embrace The recipe I'll never taste I guess I've finally come to face Up to the man in you You slip and slide away But you can't escape my gaze I see right through you Running through the constant maze But I will follow you Tell you what I'm gonna do When I meet you at the end We'll give it up or make amends I need a lover and a friend It's up to the man in you Up to the man in you
11.
Trees stay green The wind still blows And leaves they gone With the widening wind Birds still fly and dogs may whine And life has been succeededly divine with you Sailing ships fly the wind And breadth now you know They sail through away To wave goodbye Wave good-bye my friend and I love you I've still speak They told not sweet We no longer be together again For lovers part in time of strength When the love needs rest To go strong again Sailing ships fight the wind And breadth now you know They sail through away To wave goodbye Wave good-bye my friend and I love you Love the heart that Love makes grow Fill my heart with freedom Song to sing when we are lone To love is to be forgiving Sailing ships fight the wind And breadth now you know They sail through away To wave goodbye Wave good-bye my friend I love you I love you I love you

about

Night Flight is a gorgeous album containing Yvonne Elliman's only number-one hit, "If I Can't Have You," written by the three Bee Gees brothers, from the film Saturday Night Fever. It is a pop masterpiece, the only track on the album produced by Freddie Perren. Perren gives the song a big production, which sounds like the Bee Gees's work with Albhy Galuten and Karl Richardson, and the hardworking singer from Honolulu gets a much deserved chart topper to help spread her gospel. She opens the album with Neil Sedaka's "Baby Don't Let It Mess Your Mind," featuring a slow tempo more laid-back than the composer's version, and simply delightful. She covers "Prince of Fools," a song co-written by Nickey Barclay from the group Fanny, Stephen Bishop's moody "Sailing Ships," her distinctive and powerful voice gliding over Robert Appere's shimmering production work, and Mentor Williams' "I'll Be Around," not the much covered Spinners' hit but a nice ballad co-written by the famous producer and Jack Conrad. There's a taste of reggae with "Lady of the Silver Spoon," and a truly elegant adult contemporary number, "Down the Backstairs of My Life." As Grace Slick left the sexual ambiguity in "Sally Go 'Round the Roses," so too does Elliman on this rendition, and good for her. These were the disco days, and it is so subtle it no doubt went over the heads of casual listeners. The back cover has Elliman in a long flowing dress with her hair wild in the wind, it's beautiful imagery with a red background on an album which might have got lost because of all the attention paid to the Saturday Night Fever soundtrack. There are major names galore here, Kiki Dee, James Newton-Howard, Dee Murray, and Davey Johnstone from the Rocket Records/Elton John camp; guitarists Lowell George, Steve Hunter and Steve Cropper, keyboardist Eric Carmen, and many more included. Elliman albums always enjoy marquee players, and her talent truly deserved the support. With Alice Cooper manager Shep Gordon onboard as executive producer, and the number-one hit, it is amazing Elliman didn't give Linda Ronstadt, Helen Reddy, and Barry Manilow more chart competition. Her five hits were always welcome on '70s pop radio, but they only hinted at the depth of her full-length recordings, music worthy of more notice.

credits

released May 1, 1978

Companies, etc.
Manufactured By – RSO Records, Inc.
Marketed By – RSO Records, Inc.
Distributed By – Phonodisc, Inc.
Phonographic Copyright (p) – RSO Records, Inc.
Recorded At – Sunset Sound
Recorded At – The Burbank Studios
Mastered At – A&M Mastering Studios

Credits
Strings – Jimmy Haskell*, Robert Appére
Art Direction – Susan Herr
Backing Vocals – Carmen Twillie, Cecilio Rodgriquez, Donny Gerrard, Henry Kapono, Julia Tillman Waters, Kathy Collier, Kiki Dee, Marti McCall, Maxine Willard Waters, Vennette Gloud
Bass – Dee Murray, Lee Sklar*, Paul Stallworth, Scott Edwards
Concertmaster – Sid Sharp
Production Co-ordinator – Jim Moon, Porsche Lottermoser
Design, Logo – Tom Nikosey
Drums – James Gadson, James Keltner*, Michael Baird*, Ritchie Hayward*, Russell Kunkel*
Executive-Producer – Shep Gordon
Guitar – Ben Benay, Bob Bowles*, Danny Kortchmar, Davey Johnstone, Dean Parks, Lowell George, Richie Zito, Steve Cropper, Steve Hunter
Horns – Chuck Findley, Jackie Kelso, Jim Horn
Keyboards – Craig Doerge, Eric Carmen, James Newton Howard, Sonny Burke, William Smith (2)
Lead Vocals – Yvonne Elliman
Mastered By – Bernie Grundman
Percussion – Bob Zimitti, Gary Coleman, Baboo, Paulinho Da Costa*
Percussion, Synthesizer – Freddie Perren
Photography By – Norman Seeff
Producer, Engineer – Robert Appére*

Notes
Recorded at Sunset Sound. Strings Recorded at the Burbank Studio. Mastered at A & M.

Executively produced for Alive Enterprises, Inc.
B1 produced for Grand Slam Productions by arrangement with The Robert Stigwood Organisation. ℗ 1977 RSO Records, Inc.

Publishing:
A1 - Wellbeck Music, ASCAP/Kec Music, ASCAP/Don Kirschner Music, Inc., BMI/ATV Music Corp., BMI
A2 - Kortchmar Music, ASCAP
A3 - Third Son Music, ASCAP & Darnac Music, BMI
A4 - Brian Cadd Music, BMI
A5 - Daddy Black Music & Patra-Amani Music, ASCAP
B1 - Stigwood Music, Inc. (Unichappell Music) BMI
B2 - Robert Appére Music BMI/Basic Brown Songs BMI
B3 - Winlyn Music, Inc. BMI
B4 - Red Cow Music, Inc. (Unichappell Music) ASCAP
B5- E.H. Morris & Co., Inc. ASCAP

Manufactured & Marketed By RSO Records, Inc. 8335 Sunset Blvd., Los Angeles, CA. 90069. Distributed by Phonodisc.

℗ 1978 RSO Records, Inc.

Also available on 8-Track, 8T-1-3031 and Cassette, CT-1-3031

Barcode and Other Identifiers
Matrix / Runout (Side A - Label): (RS-1-3031 A) 2394 197
Matrix / Runout (Side B - Label): (RS-1-3031 B) 2394 197
Matrix / Runout (Side A - Runout): R̶S̶-̶1̶-̶3̶3̶1̶-̶A̶S̶ ̶C̶P̶1̶ RS-1-3031-AS-CP1
Matrix / Runout (Side B - Runout): RS-1-3031-BS CP2

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about

Yvonne Elliman Honolulu, Hawaii

She got her big break playing Mary Magdalene in the original London production of "Jesus Christ Superstar".
Later, she became part of Eric Clapton's live band before going solo.
Her biggest hit "If I Can't Have You" was taken from the "Saturday Night Fever" soundtrack and went to No.1 in the US chart.
... more

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